Holofernes examines the nature of photography as successor and partner to painting. Inspired by the works of Caravaggio, specifically Judith Beheading Holofernes, and the Pictorialism era of photography, especially the work of Joan Vilatobà I Figols, the photos evoke painterly elements while remaining strongly in the world of digital photography. Through this, they seek to touch on how photography and painting have grown inexorably separate and yet intrinsically intertwined as time has gone on.